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Ce décalage entre la gravité du matériau et la simplicité du rapport au public donne au set une humanité particulière
They’re super-cute and vaguely anxious, technicolor techno masking what seems to be a disaffected detachment.
IDUTYDU by FRANTX. A fascinating LP from this Paris experimental group where the human voice becomes a pliable instrument amidst drones & electronics.
Fascinating LP from this Paris experimental group where the human voice becomes a pliable instrument amidst drones & electronics.
Aired on 29.03.26, 12:00pm
FRANTX – BARBIECUE [Carton Records/Bandcamp]
Andrea Giordano, Kalle Moberg, Jo David Meyer Lysne – D’antorn a lor [Black Truffle Records/Bandcamp]
Two releases here show the breadth of the work of Oslo-based Italian musician & singer Andrea Giordano, mentioned above as an early collaborator with Nicolas Remondino in their electro-acoustic duo ŌTONN and the contemporary classical/jazz Dròlo Ensemble. And while I say she is Oslo-based, Giordano is also leader of the Paris-based “glit-noise” band FRANTX. As far as I know, in FRANTX she is lead singer, also playing melodica and all sorts of electronics (in other groups she plays winds and various keyboard-based instruments including accordion). I intrepret “glit” as “glitch”, but it could also refer to glitter, and the group has a glittery queer punk attitude, tackling the politics of making music in the current context, expressing themselves through electro-acoustic experimentalism, punk noise (or noisy punk) and a weird instrumental lineup (guitar & drums added to Giordano’s melodica and Fanny Meteier‘s tuba). The album’s out on May 22, titled IDUTYU (“I Didn’t Understand That You Didn’t Understand”).
Kiosk Radio is a community web radio station and streaming platform broadcasting 24/7 from a wooden kiosk in the heart of Brussels’ historic 'Parc Royal'. Since 2017, it’s been a place where music drifts between genres without boundaries or rules.
timecode:
37:35
“On ne peut s’empêcher d’être ébloui par la combinaison jaune poussin et les paillettes sur les joues de Fanny Meteier qui, centrale, illumine la scène.”
“Notamment Marco Luparia, [...] on sait le jeune homme passionné par les rapports entre la percussion et l’électronique dans des soli remarqués où la surface a toute son importance”