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antoine ferris | la nèu ft. louie z @ sleep dose on radio bandito (it)

Wednesday 10 June 2026, from 10 pm on the non-frequencies of radiobandito.it, Sleep Dose #170 (Vita Cortese).

Lying there idyllically, I try to prolong this timelessness of satisfying laziness indefinitely, although one step beyond it all swirls, if only in thought, from the song of blackbirds to the sinister hum of an armed drone.

I often wonder what the faces of the people who control them remotely look like; all those hours spent practising, whilst in the breaks between a simulation and a real attack (but where is the difference from their point of view?) they smile, joke and sip coffee, trying to make sense of their own behaviour as insect killers.

We dance from star to star, whilst everything drifts like a wreck still dimly lit, but already at the mercy of the current.

frantx | ltb @ wfmu (us)

Anima Mundi with Chinn: Playlist from May 31, 2026

View chinn's profile

The world is bound with secret knots. Hermetic meditations on the weird, beautiful, ancient, terrifying and/or confusing, with music! Chunky New Age, contemporary classical, cryptic Western, avant pop, shimmery jams, weird noises, plus old favorites and who knows what else. Everyday magic; magic every day.

Sunday Midnight - 3am (EDT) | On WFMU | 91.1, 90.1, 91.9 FM & wfmu.org

tangent mek | byzantine absolution @ fango radio (it)

Fango Radio

Suoni dalla Pattumiera astrale

01.05.2026

www.fangoradio.com/shows/115

#ambient #experimental #industrial

w/ Adern X

Adern X è un artista, attivo sia in campo sonoro che visivo, che usa come mattone essenziale nella sua estetica l’oggetto registrato, perché intrinsecamente legato al tema della memoria intesa come rielaborazione personale dei ricordi. Ha all’attivo svariati CD e diverse esposizioni collettive di arte contemporanea 

Un’ora di musica scelta da Adern X mixata senza interruzioni, ma non per questo senza silenzio, e senza vincoli di genere, ma non per questo senza limiti. Quando si può ascoltare tutto accettando passivamente le scelte di un algoritmo legato ai gusti di massa, andare a cercare coloro che hanno preferito la zona d’ombra pur di conciliare il suono, come esperienza sensoriale, e la musica, come disegno razionale. Riportare al centro le scelte di chi trasmette la musica, anziché i gusti di chi l’ascolta, e dare ai suoni un senso, anziché solo del tempo.

frantx | barbiecue @ utility fog on fbi radio

Aired on 29.03.26, 12:00pm

Quite a journey today, through genres, countries & continents, emotions and BPMs. This is how we do it in the house of Utility Fog.

Tonight at the top of the show I featured tracks from two big compilations of incredible Lebanese experimental music released by Tunefork Studios on Bandcamp to raise money for the millions of people displaced by Israel's invasion & now occupation of southern Lebanon. Land 01 came out in 2024, and now Land 02 and Land 03 have come out simultaneously. They're jam-packed with amazing music. There's a discount for getting all three, and it will go directly to supporting people in immediate need.

FRANTX – BARBIECUE [Carton Records/Bandcamp]
Andrea GiordanoKalle MobergJo David Meyer Lysne – D’antorn a lor [Black Truffle Records/Bandcamp]
Two releases here show the breadth of the work of Oslo-based Italian musician & singer Andrea Giordano, mentioned above as an early collaborator with Nicolas Remondino in their electro-acoustic duo ŌTONN and the contemporary classical/jazz Dròlo Ensemble. And while I say she is Oslo-based, Giordano is also leader of the Paris-based “glit-noise” band FRANTX. As far as I know, in FRANTX she is lead singer, also playing melodica and all sorts of electronics (in other groups she plays winds and various keyboard-based instruments including accordion). I intrepret “glit” as “glitch”, but it could also refer to glitter, and the group has a glittery queer punk attitude, tackling the politics of making music in the current context, expressing themselves through electro-acoustic experimentalism, punk noise (or noisy punk) and a weird instrumental lineup (guitar & drums added to Giordano’s melodica and Fanny Meteier‘s tuba). The album’s out on May 22, titled IDUTYU (“I Didn’t Understand That You Didn’t Understand”).

Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms.

Peter Hollo curates each episode around a narrative of genre-plasticity, deep-diving into artist histories, side projects and influences. Challenging sounds are contextualised within musical movements, surprising connections are uncovered, unfairly overlooked works are revisited.

Come on a journey through music in all its ugly beauty.

Full links and extra info can be found at the Utility Fog blog

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simon henocq | concourse a @ utility fog best of 2025 on fbi radio

Posted by Peter Hollo on Sunday, 28th of December, 2025Leave a comment (0)Go to comments

As is traditional, I've done a Best of 2025 DJ mix for Utility Fog. It's probably the strangest one I've done yet – there's heaps of dance music, including jungle & drum'n'bass, bass music of all stripes, dub techno, dubstep, grime, breakcore and more; but there's also detours into Norwegian folk choirs, queasy sub-bass ambient, microtonal piano loops and more. Listen here: https://soundcloud.com/frogworth/utility-fog-best-of-2025-mix